Showing posts with label Lin Shaye. Show all posts
Showing posts with label Lin Shaye. Show all posts

Tuesday, December 13, 2016

"Abattoir" Review by Anthony T


Darren Lynn Brosman has been one of my favorite horror directors within the last ten years. With films like “Repo: The Genetic Opera”, “The Barrens” and most recently “Alleluia: The Devil’s Carnival 2”, there’s a reason why he has been great for the horror genre. When I heard about his latest “Abattoir”, I knew that I had to see this one way or another because his films have been so good.

The film is about an investigator reporter who has to come to grips with a tragedy when her son in law mysterious kills her sister and niece. She is aided by a detective who’s trying to find out what happened and would make her son in law commit those murders. Their investigation takes them to a haunted house has been built out of various tragedies. Soon, they come across a mysterious man who has all the answers and how the house is linked to the murders. Can they find out what happened before the both of them become a part of the house’s tragic history?

I’ve personally have seen just about everyone one of Bousman’s films since he burst on to the scene with “Saw 2”. It’s amazing how he grown as a filmmaker, as he is one of the best horror directors out there period. With that said, I thought his latest film “Abattoir” is his best directing that he has done to date.

One of the things that makes Brousman’s direction great was that he’s able to make everything have this consistent dark look to all of his films. Whether its “Repo” to his lessen known films like this, he’s able to bring a level of dread and darkness that makes the images feel like you’re watching a gothic film noir. It’s what makes this film look very well from a visual standpoint and enhances the screenplay that you see it on screen. The other thing that Brousman does very well is the way that he directs his cast. He makes sure the performances are interesting enough that it gels very well with the gothic and dark tone that this film is going for. It’s always been one of the reason why his films have been entertaining.

Speaking of the performances, I thought the star of the film was Dayton Callie. He does a very good job making sure that he gives the character a villainous Jim Jones type tone to it. It helped make his character frightening to watch every time he appears. The film also has a strong lead performance from Jessica Lowndes as the reporter trying to investigate her sister and nephew’s deaths. She really does a good job making her character very dark which makes her quest to find out the truth engaging. It kept me interested even though the end result felt predictable.

The screenplay was good for the most part. What I liked about Christopher Monfette’s screenplay was it was able create a level of dread and had a gothic feel throughout the film. Whether it was the intense action to how some of these characters were created, everything added so well to the film’s tone. It made it very dark and gloomy. The other thing that his screenplay does very well is that he’s able to develop the story. Whether it’s the way that it goes into the film’s antagonist to the way it follows its main character, everything is done in a way that makes the story interesting to watch.

If there was one that I didn’t like about the screenplay was the fact that it was predictable. I hate that when you get the feeling how a film is going to end before it goes into the third act. It takes the fun out of it. Still, I enjoyed this film, as that’s the only grip I have with it.

With its very good directing and its excellent performances from Jessica Lowndes and Dayton Callie, this is worth your time. “Abattoir” is a very creepy and gothic film that will leave you with chills.

Review Rating: Four Stars

Sunday, July 10, 2016

Fantasia 2016: Official Trailer and Still for Darren Lynn Brousman's "Abattoir"


Versatile Films recently released a still and trailer for Darren Lynn Brousman's (Repo!: The Genetic Opera, The Devil's Carnival) latest film "Abattoir". The film stars Jessica Lowndes (The Devil's Carnival), Lin Shaye (Insidious), Joe Anderson (The Grey) and Dayton Calles (Alleluia: The Devil's Carnival 2, Sons of Anarchy).

"Abattoir" will be making its International Premiere at the 2016 Fantasia International Film Festival.

The film will be screening on July 25th at the Concordia Hall Theatre in Montreal, QC.

Plot Synopsis:

“How do you build a haunted house?” The job of real-estate reporter Julia Talben (90210’s Jessica Lowndes) is set on a hellish new path when her family is savagely murdered. In freakishly short time, the house — the crime scene — has gone up for sale, and when Julia goes by for a final look, she’s horrified to discover that the entire “murder room” where her family was slaughtered has been torn out of the building. Using the investigatory tools of her trade, she discovers that this has been happening a number of times — random killings, home purchased, kill room torn out of the structure. The common thread? A mysterious buyer by the name of Jebediah Crone (SON OF ANARCHY’s Dayton Callie).



Abattoir": Official Trailer


Tuesday, June 16, 2015

"Insidious: Chapter Three" Review - Written by Jim Herling


In the interest of full disclosure, I should admit that the Insidious series has easily become one of my favorite horror series of all time, if not my outright favorite, so impartiality isn’t a simple thing for me when it comes to reviewing Insidious: Chapter 3. That being said, I have to admit that Chapter 3 did have some flaws, but overall I found it to be better than Chapter 2, which honestly had a bit of a bloated storyline, but not as good as the original, which I absolutely loved.

Written and directed by Leigh Whanell (also the writer of the first two, but not director; that job in both cases fell to James Wan),Insidious: Chapter 3 is a prequel to the first installment. It begins an unknown amount of years before the haunting of the Lambert family, and focuses on Quinn Brenner (Stefanie Scott), a teenage mourning her mother and looking for a way to contact her beyond the grave. Her quest brings her to the home of psychic medium Elise Rainier (Lin Shaye, who played the same role in the first two installments), who has retired and refuses to help her except to offer her the free advice to stop trying to contact the dead before the wrong spirit answers her. Of course, her warning comes too late, and Quinn begins to be haunted by a spirit who wears a breath mask and wants to possess her soul. The Man Who Can’t Breathe (Michael Reid Mackay) throws her around, hits her, chokes her, and physically moves her to places she couldn’t possibly get to on her own. It’s this last bit that convinces her father Sean (Dermot Mulroney) that something supernatural is happening to his daughter, and he eventually convinces Elise to help, as well as returning characters Tucker and Specs, which explains how they hooked up with Elise in the first place. Throughout the plot, Insidious: Chapter 3 is a tight, thrilling ghost story full of jump scares that actually work and real tension the audience can feel.

What makes the movie, though, are its heart and its performances, something it shares with the rest of the franchise. The movie is moved along by the love of a daughter for her mother, and a father for her daughter. Stefanie Scott is great as the victim, and is terrific at making her fear and pain feel real. Mulroney, who I usually can barely tolerate, is just as good as a desperate father. The real star is Lin Shaye, though. Her portrayal of Elise is truly memorable, filled with emotion and growth as she takes her from refusing to help because of her fear that the Bride in Black (a connection to the first two, simultaneously a callback and a bit of foreshadowing as well and not the least of the touches that ties the movies together) will kill her to a strong warrior fighting for Quinn’s soul.

Insidious: Chapter 3 packs scares and heart in equal measure, and wraps them both up in a decent amount of fright and, of course, The Further, the series’ hallmark. It all combines to make for a truly memorable horror movie, one of the best I’ve seen in recent years. I give it four stars out of five